Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

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For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

Driven by extensive archive material and interviews with those who know her, this is the astonishing story of how a triple outsider – a woman, a scientist, and an East German – became the de facto leader of the “Free World”, told for the first time for an international audience.

Alice and Horst paints a moving portrait of two siblings from Saarbrücken whose lives were shaped by their family’s antifascist resistance. As children, Alice Hornung and Horst Bernard were forced to flee from the Nazis into exile in France, where, despite constant danger, they also experienced great solidarity. After their return they continued their parents’ political commitment: against fascism, for peace and disarmament. The film combines personal memories with rare archival footage and portrays two individuals who, well into old age, remain unwavering in their commitment to justice and remembrance.

19 years after the dropping of atomic bombs in Japan, the Olympic Games of 1964 took place in Tokyo. In the midst of the cold war, the games are supposed to become a symbol for a peaceful world. Especially the divided Germany is expected to prove this: By order of the IOC, both German states must participate in Tokyo with a joint team despite deep ideological rifts. The fact that athletes from both German states still had to compete against each other in order to form a joint team for the 1964 Olympic Games in Innsbruck and in Tokyo is all but forgotten. The film tells the story of the East-West German team of 1964 for the first time and is simultaneously a current document about the relation of sports and politics in international relations.

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

In 1945, 160 German cities lay in ruins and the loss of millions of lives, billions in material assets and countless cultural treasures was mourned throughout Europe... With the question “How could it happen?”, the film goes back to the year 1914, when the “primal catastrophe of the 20th century” took its course with the First World War.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

The night of November 8, 1923, is arguably the most significant and transformative in the history of the twentieth century. A localised uprising in the Bavarian capital of Munich, led by a small man with a toothbrush moustache and a poisonous yet compelling grandiloquence, would have repercussions that would lead to the political shackling of an entire nation, the most abhorrent crimes of the century and a world war. You might say, Adolf Hitler came of age amid the smell of sweat and sawdust of a Munich beer hall. In the political chaos of 1923, he was a local irritant, gaining popularity among workers and soldiers, the ethos of his Nazi Party spreading like a virus. His first attempt at attaining true power came with an attempted putsch on the already separatist government of Bavaria, which left him imprisoned.

The Stammheim trial against the leadership of the first generation of the RAF was one of the most elaborate in the Federal Republic of Germany. Through this trial, Stammheim also became a place of identity for the RAF. The docudrama uses the perspective of Horst Bubeck, who as a prison officer in the cell wing had the most intensive contact with the prisoners, to shed new light on the history.

It was a foundational myth of the GDR that it was anti-fascist and free of Nazis. But was that really the case? The film takes a critical look on the actual way the brown heritage was dealt with in the GDR.