Born from war and shaped by conflict, the Lebanese resistance has endured decades of battles, invasions, and geopolitical shifts. This documentary traces its rise, its defining moments, and the sacrifices that kept it standing. But with the region in turmoil and Syria fallen and one question remains—how much longer can the resistance hold its ground?

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.

A documentary featuring interviews with teachers and officials on the profession of teaching and what it means to them.

Told through striking animation, one woman’s powerful account of surviving a fire in Tehran’s Evin prison captures resistance; an urgent, creative act rooted in the Iranian Woman! Life! Freedom! movement.

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.

An experimental film about narrations of two journal photos from Iran's revolution in 1979.

"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.

AMERICAN COUP tells the story of the first coup ever carried out by the CIA - Iran, 1953. Explores the blowback from this seminal event, as well as the coup's lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah's Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.