In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

A short collection of local legends and ghost stories about Erie, Pennsylvania, and its surrounding areas. Produced by and aired on WQLN Channel 54 Erie.

This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotblond') lures men into her web. Revealing a shocking true crime story that shows the Internet's power to unleash our most dangerous fantasies.

The life and thoughts of Juan Manuel Espada, keeper in charge of the morgue sited at the Medicine University of Valencia.

Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.

A face-to-face confrontation with Guerrilla death squads in El Salvador, napalm bombings in Vietnam, the drugging of a monkey, a dolphin slaughter, a train disaster in India, Cambodian lepers, a death museum, a driver high on PCP and a boxer going down for his “final” count.

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.