Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.

A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.

The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.

DESERT PHOSfate is an artist film that tells about the impact of phosphate on the Sahrawi community and its fate, including the surprising emergence of family gardens and their knowledge of how to farm in the desert without the processed phosphorus that had caused the dislocation of the Sahrawi nomads from their homeland of Western Sahara.

Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.

Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

Containing rare footage and recorded conversations, this documentary about "the plunder of a nation" hosted by ABS-CBN's Angelo Castro, Jr. looks into "the inhuman manner in which Marcos and his henchmen systematically drained the economy in their greedy and unrelenting quest for fortune.

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

In the middle of Western Sahara desert, where no water, no trees, no animals live but a bunch of refugees, struggling in poverty to survive the harsh habitat, the least of the problem one might face is the environmental crisis.