The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

A conversation between Idrees Khan and his mother on how the celebrate their Trini culture in Orlando

How well we know our cup of coffee?

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

This film is about the suffering of Sahrawi youth in the occupied Western Sahara. It tells the tragic story of their lives under occupation, and how Moroccan authorities push them to risk their lives and leave their homeland on flimsy boats to flee from a life of repression, fulfilling Morocco's goal of emptying the territory of youth, who are the foundations of society.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

In the Carpathian mountains, a community of highlanders keep their ancient culture alive, from their style of dress to their craftsmanship.

Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.

abel and Antonio are human rights activists. They were awoke by the loud noise of sirens and the roar of thousands of screamings. They picked what they could, between what was the camcorder. They switched it on and started recording what their eyes could not believe: the savage assault and destruction of the largest protest camp ever raised in the Sahara: Gdeim Izik. Tried to contact international press but their satellite phone had been disabled. Antonio and Isabel had to find a way to show these images to the world. It wouldn't be easy. They would have to spend nine days hidden in a safe house during one of the most obscure incidents in the Moroccan history.