Mountain dialect, culture and identity are revealed by the true experts on Southern Appalachian culture--the people whose families have lived there for generations.

Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.

Documentary profiling an Appalachian farming family struggling to scrape out a living. Link­ing education and economic development, The Children Must Learn suggests that better schooling, especially in agricultural techniques, would bring improvement.

In the grip of the Great Depression, unemployed men and women joined an unlikely WPA program to document America in guidebooks and interviews. With the Federal Writers' Project, the government pitted young, untested talents against the problems of everyday Americans. From that experience, some of America's great writers found their own voices, and discovered the Soul of a People. — Spark Media

A documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden manipulation and accumulation of gold and other forms of money.

Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.

Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2. [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].

The Appalachian Investigators of Mysterious Sightings (A.I.M.S.) team comes together to reminisce and celebrate the life of their founder, John "Trapper" Tice, in this Mountain Monsters special.

In 1915 a young, charismatic Japanese man with a mysterious past entered into the Appalachian culture of Asheville, North Carolina, is suspicioned a spy, targeted by the Klan, but perseveres with a passion for photography and the mountains he adopts, bringing to life Great Smoky Mountains National Park & the Appalachian Trail.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

Set in the North Carolina Appalachians, Sprout Wings and Fly honors the fiddle playing of 82-year-old Tommy Jarrell of Toast, NC. Tommy was quirky, gregarious and generous, and this film shows him at his best, in fine fiddling form.

In 1967 Canadian filmmaker Hugh O'Connor came with a crew to eastern Kentucky to make a film showing people from all walks of life in the United States. They finished the day by filming coal miners and their families in rental houses. As the filmmakers were leaving, Hobart Ison, the owner of the property, drove up and fired three shots, killing Hugh O'Connor. Elizabeth Barrett, from Kentucky herself, explores why this happened by trying to understand the people and culture of eastern Kentucky.