The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.

Composed of songs and memories, this powerful musical film traces the traumatic experience of young survivors from different parts of Africa. In the village of Conques in France, they found a therapeutic space where they learn to overcome their past and, through song, to imagine a new future.

Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

The Sisters of Perpetual Indulgence are an order of gay male 'nuns', founded in San Francisco in the late 1970s with a goal to "expiate all stigmatic guilt and promulgate universal joy". There are now thousands of nuns all over the world including 30 in Britain, some of whom we meet in Tom Stephan's short documentary, which follows the Sisters' work as active campaigners in the LGBT community.

1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...

The last true rebellion is death to the world. To be crucified to the world and the world to us.

We often have ideas of religious life... either kneeling in a convent or out in the streets assisting the poor. While both of these scenes are essential to the life as a sister, Light of Love takes a deeper look into understanding the call... the "why" of religious life. By interviewing five sisters from five orders across the United States, the film places viewers face to face in intimate conversations with these amazing women. What does it mean to be called? What are the struggles of religious life? How have you seen God move through your ministry? These questions and others are addressed throughout the film. The film itself is very simple: 60 minutes designed for viewers to quiet their surroundings and enter into convent, the food pantry, the hospital, and the chapel. With minimal music and simple visuals, Light of Love gives viewers a look into the lives, suffering, and joys of religious life captured in a way like never before.

DEVOUT reveals an archaic utopia, a timeless spiritual sphere that is as beautiful and harsh as the mountain terrain of the Caucasus, tempting but unforgiving, a riddle like God and faith as mysterious as the human condition.

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.