In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

“A Case for Love” is a heartfelt yet personally challenging movie inspired by the teachings and writings of Bishop Michael Curry, most well-known for his passionate sermon about “The Power of Love” at the royal wedding of Prince Harry and Meghan Markle. This documentary examines whether or not love–specifically unselfish love–is the solution to the extreme societal and political divide facing the U.S.

A journey through the Spain of the Baroque, the glorious 17th century, an unfortunate era of endless wars and political tribulations; but also of great painters and sculptors who created astonishing pieces of art: el Siglo de Oro.

The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.

A group of eminent experts, including the Marian Fathers, analyze Greek texts of the Holy Scripture, revelations and the dogma of the Immaculate Conception. The result is a new interpretation of passages of the Scripture revealing Mary, the Mother of Christ, and her extraordinary role in the divine plan for the salvation of the world.

Writer-actor Aaron Davidman embodies seventeen different characters in and around the sacred city of Jerusalem as he takes us on an eye-opening journey into the heart of the Israeli-Palestinian story. Exploring universal questions of identity and human connection, the film is about one man's effort to embrace a multiplicity of conflicting viewpoints, chronicling a brave exploration of the complex humanity at the heart of one of the world's most troubling conflicts.

Andrew Graham-Dixon explores the ancient Christian practice of preserving holy relics and the largely forgotten art form that went with it, the reliquary. Fragments of bone or fabric placed inside a bejewelled shrine, a sculpted golden head or even a life-sized silver hand were, and still are, objects of religious devotion believed to have the power to work miracles. The documentary features interviews with art historian Sister Wendy Beckett and Neil MacGregor, director of the British Museum.

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

DEVOUT reveals an archaic utopia, a timeless spiritual sphere that is as beautiful and harsh as the mountain terrain of the Caucasus, tempting but unforgiving, a riddle like God and faith as mysterious as the human condition.

The cult of the Madonna dell'Arco dates back to the 1400s, when a young believer, after losing a game of pallamaglio, threw a ball in anger at a portrait of the Madonna under a Roman arch. The Madonna began to bleed. The crowd wanted to punish the boy for his wicked deed. The Count of Sarno decided to have him hanged from a tree. A few hours later, the tree withered. This is the myth that has always accompanied the oldest Marian cult in Campania (Italy).

In this special edition of Primetime, ABC News' Diane Sawyer interviews filmmaker Mel Gibson about his highly controversial movie, ""The Passion of the Christ."" He responds to charges that the movie's portrayal of the Jewish role in the death of Christ will encourage anti-Semitism. He also elaborates on comments he's made about the Holocaust. In addition, Gibson tells why he felt it necessary to exhibit such a graphic depiction of Christ's crucifixion on film and discusses his decision to tell the story in Aramaic and Latin.