“Christo: Works in Progress” takes us around the world on a showcase of the artist’s grand environmental installations. With both critique and praise from members of the communities that have hosted Christo and his works, the film takes a deep look into the process and outcome of pieces such as Wrapped Coast, Running Fence, and Wrapped Walkways. While discussing his inspirations and motives, Christo states, “The work of art is not the fabric, steel poles and cable, the work of art is the hills and the ocean, the sky, the gates, the rocks, the people, the light- this is the work of art.” (Christo Vladimirov Javacheff) Though his work may appear to be visually distracting from the landscapes he creates in, Christo’s aim is to bring attention to the land itself and encourage people to take note of their surroundings.

This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.

An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.

On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.

Filmmaker Morley Markson shows Abbie Hoffman, Jerry Rubin, Allen Ginsberg, Timothy Leary, and other '60s rebels, then and now in a follow up to his 1971 film "Breathing Together: Revolution of the Electric Family."

No description available.