Lado Tajovic, a student, is charged by the communist party to go to his home in the Montenegrin Mountains, to illegally spread the liberation movement's propaganda. Alone, surrounded by enemies, always awake and ready to evade traps and ambushes, Lado fights on the verge of sleep, against people which are cowards ready to betrayal. He fights his own temptations, hallucinations that constantly besiege him. Although he perseveres in holding to party directives: no killing and no revenge, Lado at one moment of weakness falls to a primal human act vengeance.

The story about the Bleiburg massacre, seen from a Croatian Home Defenders point of view.

WW2 story about group of prisoners who are trying to escape the death camp, run by local pro-Nazi militia.

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Just 80 years ago, the peaceful sea was a battlefield. Soldiers continued to fight, dreaming of returning home, and their families continued to pray and wait for their safety. What stories were there in each of their lives, and what were they each thinking?

Djata is a care-free 12-year-old growing up in a brutal dictatorship shut off from the outside world. When the government imprisons his father, Peter, and Djata and his mother Hannah are labeled traitors, the boy will not rest until he sees his father again.

The blossoming young love between two teenagers is brutally disrupted by retreating Nazi soldiers who occupy their small village in rural Italy.

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The Netherlands, 1940. At the age of 16, Tiny is already being asked to do all the work in the house and shop. After the Germans invaded the Netherlands, she fell in love with the German Bernd Verspohl at a dance. From then on she was called Moffengriet, the derogatory name for women in the Netherlands who got involved with German soldiers. Young happiness is overshadowed by the tragic events of the time.

Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.