American teen Neelu feels like a fish out of water amidst preparations for her sister's wedding in Delhi until she forges a brief and unexpected connection with Zeyb, a quiet sari store clerk who moonlights as an internet drag queen.

Brotherly love goes too far when Feng gets his twin sister pregnant while both of them are still in high school, creating a problem that's bigger than both of them. Convincing his gay friend Le Le to take the blame seems like the best option.

When Emma's cancer takes a turn for the worse, she presents her new wife Josie a deathbed order: find someone new while Emma is still around to approve of her choice.

Cot is an employee of Ten's house, both have arguments, but despite Ten's strong personality, he ends up arousing feelings for Cot... how will it end?

A college heartthrob meets a college newbie - a challenge, a tension, a discovery, and a love that will change everything between them.

Roy has been learning pole dancing without telling his wife Chloe. In addition to the lack of personal space at home, he is also looking for a passion and the joy of self-exploration. Chloe, who works hard, and Roy, who hangs out to practise dancing, are becoming more and more alienated. Is it marriage or ignorance of each other that kills them?

A young psychiatrist ventures into a lone voyage to fight his depression. While at sea, he records stories of people departed from this world prematurely, while what awaits him on the shore is the ultimate irony of life.

A year after the death of their beloved Lily, Beau and Caden learn that she froze some of her eggs and they must decide whether they are ready to take the next step in their relationship and become parents.

Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...