After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.

Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...

Props, the stage man, and his assistant at the Orpheum Theater, Plunkville divide their time equally between drinking and attention to duty. Trouble starts when the new acts arrive. The Wiggle sisters, a Hawaiian act, demand the star dressing room but Props turns them down, but relents when Babe, the strong man, and his beautiful wife, Ethel Burton because he is smitten. Once the show begins Props is forever getting in the way of the performers and his bibulous assistant has an unfortunate propensity for dropping the curtain at the wrong moments. Things only get crazier from there.

When NYC’s Broadway theater season opens, Katie Sarasola is looking for her big break and producer Kenny Schumacher needs to have a surefire hit. Secretly hoping to cash in on the success of Hamilton, Kenny decides to mount an all Hip Hop version of Abraham Lincoln’s life. An egotistical Hollywood director, clueless trap rapper, washed up choreographer, and an unknown lead actress are hired to bring Kenny's vision to life. "Lincoln The Musical" is a parody of the entertainment industry as seen through the lens of a Broadway show. Peek behind the curtain as Katie deals with egos and her own raw emotions as she prepares for the biggest night of her life. After Opening night, will Lincoln be known as the biggest show of all time or Broadway’s biggest bomb?

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An original rewriting by the Vetrano-Randini company of two one-act plays by Pirandello, ‘Sgombero’ and ‘L'uomo dal fiore in bocca’, whose threads are intertwined with surreal dialogues and lightning-fast quotes drawn from the repertoire of Totò and Vicé, fantastic and poetic characters from Franco Scaldati's theater. - Luigi Pirandello: L‘uomo dal fiore in bocca – Sgombero – Colloqui coi personaggi - Franco Scaldati: Totò e Vicé

Kristina Wong is an actual elected representative of Koreatown, Los Angeles. But before she created a raucous show about her current stint in Public Office, she was a scrappy performance artist with a bright future in reality television. The system she used to ridicule is now the one she’s become. Is she more effective as a performance artist or a politician? Can she Abolish ICE? Is there actually a difference between performance art and politics?

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"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi