Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

Documentary devoted to the architectural and urban planning designs of Le Corbusier. The architect supports his in-depth reflection on the city and its necessary adaptation to modern life with plans, drawings and images, particularly Paris, whose revolutionary development dreamed of by Le Corbusier is exhibited here. Its first projects will remain at the stage of a model: the modernization plan for the city of Algiers. Some will be created by other architects: Ministry of Education in Rio de Janeiro, UN Palace in New York. From the post-war period in less than 10 years, Le Corbusier created large housing units in Marseille, Nantes, a chapel in Ronchamps, a factory in Saint-Dié, a town in Chandigarh in India. Through diagrams, the architect presents his theory of the "radiant city", the mathematical key modulor of his work as well as his project for reorganizing the countryside, industrial and urban cities into a grouping around a cooperative system.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

Famed Swiss architect and artist Robert Maillart was renowned for his concrete bridges; this documentary examines the elegant design of his engineering masterpieces, which, the film argues, embrace both functionality and aesthetics. Instead of following a traditional journalistic structure, director Heinz Emigholz's spellbinding film reads more like ethereal visual poetry, allowing the beauty of Maillart's work to speak for itself.

A city symphony of kinetic movement in the concrete jungle. A cacophony of textures, layers and surfaces moving in unison and discord yearning for an open horizon.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.