For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

In 2007, the Writers Guild of America, the Screenwriters Union, hit an impasse in their contract negotiations with the Studios. At the center of the dispute was jurisdiction over the internet. Unable to make progress, the WGA called a strike which brought Hollywood to a halt for 100 days.

An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice

A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

This Shiver (ITV Studios) documentary reveals what happened behind-the-scenes on some of the most momentous breaking news events in our lifetime - as told by those caught up in the real-life drama, those in the newsrooms and those responsible for delivering these newsflashes into millions of people's homes. News stories covered include the death of Diana, Princess of Wales (1997); the assassination of President Kennedy in Dallas (1963); the coal-tip landslide in Aberfan (1966); the Lockerbie Air Disaster (1988); the terrorist attacks on the World Trade Center in New York (2001); the start of Operation Desert Storm during the Gulf War (1991); the dramatic end of the Iranian Embassy siege in London (1980); and the announcement of the death of the Queen Elizabeth, the Queen Mother (2002).

The Mystery of Al Capone's Vaults is a two-hour live American television special that was broadcast in syndication on April 21, 1986, and hosted by Geraldo Rivera. It centered on the live opening of a secret vault in the Lexington Hotel in Chicago once owned by noted crime lord Al Capone.

For ten years, the journalists of the Etilaat Roz have been making the most widely circulated daily newspaper in Kabul—entirely transparent, and constantly on the lookout for abuses in society and politics. But what do you do when this work becomes practically impossible? This film follows the team as the city is recaptured by the Taliban.

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Alexei is a nineteen year old recruit being flown in to perform his military service on the frontier of northern Russia. The base is one of few such remaining outposts on the Arctic Ocean. There are five other seasoned and long serving soldiers stationed here, each with their own personal story or secret that has caused them to retreat from the real world. Their training and breaking in of the new arrival is sometimes humorous, at times harsh. Gradually, they each reveal something of themselves in their daily interactions and private moments as they continue their absurd duty in this snow covered no man's land, hundreds of miles from the nearest human settlement.

The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.

CNN camerawoman Margaret Moth fearlessly captures footage of war zones. After receiving catastrophic injuries in the crosshairs of battle, she returns to work with more courage than ever. An intimate portrait of a trailblazing female photojournalist. Features interviews with Moth’s family and friends, including CNN’s Christiane Amanpour. A Sundance film festival premiere directed by Lucy Lawless.