The Profligate Door: Borowczyk's Sound Sculptures
Documentary
Overview
A documentary about Walerian Borowczyk’s sound sculptures, featuring curator Maurice Corbet.
Top Cast
Maurice Corbet
Maurice Corbet
Himself
Maurice Corbet
Himself
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This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making?

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

During a hospital stay in 2001, the Polish painter, sculptor and filmmaker Walerian Borowczyk compiled a handwritten list of the objects and animals that were featured in his films. While he had used both encyclopedias and dictionaries to order chaos in his own films, this list saw Borowczyk putting his own life in order.

Pure sound unaltered by human hands is becoming increasingly difficult to find. Gordon Hempton is an Emmy Award-winning sound recordist who has spent the last 30 years trying to find and record the vanishing sounds of nature in an attempt to capture a disappearing sensory experience. Filmmaker Nick Sherman observes Hempton in the wilderness for 30 days and uncovers an obsessive artist on a quest for perfection in this obscure medium. Hempton’s natural ability to locate and articulate himself through sound has a contagious energy and gives his work a transportive quality. Soundtracker is a fascinating meditation on the world’s changing landscape and the things we may be leaving behind in the service of progress.








