Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

In the Forest is a documentary essay that explores the deep connections between humans, animals, and the forest. Through fragments of lives that intersect, echo, or contradict one another, the film gradually weaves the portrait of a rich, complex, and sometimes unsettling world where the desire to protect coexists with the drive to exploit. Moving between realism, political engagement, and dreamlike imagery, it reveals a forest that - in the face of multiplying climate upheavals and an accelerating sixth mass extinction - whispers, to those who know how to listen, the urgent need to safeguard the fragile balance between humanity, fauna, and flora.

People go and search for the legendary Bigfoot creature.

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In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

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"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Juxtaposed to the hustle and bustle of city life on the diminutive Caribbean island of Dominica, Jerry Maka West works his garden in the island's lush interior, his Zion, growing and preparing his food just as his grandparents once taught him. Jerry is Nom Tèw, Man of the Soil.

A journey into four classical elements through the four main characters of the film. The main characters in the movie represent each of their own elements.

Follow the Manhattan-based Beavan family as they abandon their high consumption 5th Avenue lifestyle and try to live a year while making no net environmental impact.

Cheetah and Leopard... no animal can match the intensity of their power and grace. On the horizon, the next victim draws near, crouched in the grass, senses honed, an explosive rush, claws extend and then the final clamp of fangs in a jugular embrace. Discover what separates these predators from all others. The cheetah, the ultimate tactician, single minded in its abandon for the lightning-fast gazelle. And the leopard, an invincible opportunist lying in wait for the unwary. Both driven by pure instinct and the constant pressure to kill.