A history of the UK Garage music scene

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

"At the beginning of the 19th century there is no Chicago. There was a fort that was set on fire by Indians shortly thereafter. Later, the turbulent expansion of a settlement began, which became a center for the immigrant workforce, traditional industry, slaughterhouses, and, in 1941, armaments for war. The Windy City on Lake Michigan is the fastest changing city in the world. This 35mm Arriflex film time-lapse footage is annotated with classic techno cuts and information about the tunnels under Chicago, the slaughterhouses, organized crime, Sears & Roebuck catalogs and other peculiarities of this strange city."

The Metalheadz Documentary is an intimate and immediate account of a Drum & Bass label poised for world domination. DJs and producers talk openly of the artistic freedom they enjoy, how the label has evolved to represent such a diverse musical scene and why moving forward and pushing the boundaries is so vital. These names have created a global phenomenon and here talk for the first time of how it was achieved, where it's at and what the future holds.

A documentary that explores the challenges that a life in music can bring.

This French-produced 1996 documentary is an hour-long piece covering the history of techno music from Detroit to Berlin Sheffield.

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.

Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.

An explosion in the underground music scene is met by massive investment into Tucson, Arizona. Documentarian, Ty Besh, followed the scene from 2016 to 2018 showing the vast changes that happened to the people, venues, and scene in just 2 years. This Documentary serves as an archive and also a reminder to everyone in the DIY scenes across the world that moments come and go.

'Looking for the Perfect Beat' is a cinema verite immersion inside the unique Los Angeles 'beat-scene' music community centered around the world famous Low End Theory club night. Filmed over the Summer of 2013, a climatic point in this particular music scene's trajectory, we are given the opportunity to elegantly lift the veil on the personal creative processes of the internationally-acclaimed pillars of the scene. Indie music luminaries such as Flying Lotus, Thundercat, Gaslamp Killer, Daedelus, Nosaj Thing, Ras G, Teebs, D-Styles, TOKiMONSTA and Matthewdavid are all featured in vivid detail. The soundtrack for the film creates itself live on camera as the film elapses. This avant-garde visual angle on each subject in their respective creative spaces provides for an introspective glimpse into what would otherwise be unseen.