The film takes place over the course of a single night: the longest night of the year, between December 21 and 22 (the winter solstice), when the sun sets around 4:30 p.m. and rises the next day at 7:30 a.m. A long night in which the stories, destinies, anxieties, and dramas of a provincial town in the south (Potenza) intertwine, even if only briefly. Fifteen hours of uninterrupted darkness in which human destiny becomes exceptional, as the night causes the anchors of the day to be lost and four personal stories suddenly accelerate.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

In the Valley of the Moon, follows a young man working as a hitman for the Italian mob in 1977. He takes a job in Petaluma, California, posing as a potential buyer at an open house to confront the realtor who he suspects has a sinister connection to his past.

The tale of an Irish writer who moves to Northern Italy, finding a new sense of tranquility in life after experiencing heartache.

No description available.

In a small town, every inhabitant lives his daily life without asking too many questions and ignoring the disappearance of some women, until one day someone will put them in front of the possibility that they could be brutal serial murders. From that moment, fear will make its way and every balance will be shaken. To reach the denied truth denied for so long, the protagonists will find themselves losing much more than one can imagine.

A businessman swims away from time and reality...

A retired film director locked up in a suburban Rome apartment attempts to write a new movie, his eternal opera zero.

The day of an artist who has to present one of his works is told through a continuous cinematic dispersion aimed at reproducing and making the viewer experience firsthand the mental dispersion inherent in the protagonist

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.