Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

A short collection of local legends and ghost stories about Erie, Pennsylvania, and its surrounding areas. Produced by and aired on WQLN Channel 54 Erie.

2 1/2 hour-documentary on the rise and fall of one of the most controversial Italian genres every created. Starting with Deep River Savages arriving to the infamous Cannibal Ferox.

At 15 years old, Kyle Kuchta went to his first horror convention. Years later, he visits multiple cons to understand why these gatherings are so important to horror fans, vendors and celebrity guests.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotblond') lures men into her web. Revealing a shocking true crime story that shows the Internet's power to unleash our most dangerous fantasies.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.