
I certainly don't know
Documentary
Overview
Ahmed is one of the stateless changemakers working with ENS to improve protection for stateless refugees.
No cast information.
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The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Inma (24) is determined to win a marathon in the Sahara Desert. But her motives run deeper than the physical challenge. A few months ago, she came across adoption papers that revealed the birthplace of her biological mother: Laayoune, Western Sahara. Having never heard of the country, she decides to train for an international marathon that takes place in the Sahrawi refugee camps in Northern Africa. It is the perfect opportunity for her to learn about a history she never faced growing up in Spain.
Ismael, Hindu and Bachir are three Sahrawis living in Gran Canaria (Canary Islands). They tell us about their lives away from their home country (Western Sahara), their own personal history and experiences... and the challenges they face in an island they consider something of a second home. This short film combines the three main characters' impressions with archive images of the Dignity Camp, of the Tindouf camps, and images of the Western Sahara in the mid- 70's. A Canary Islands production shooted in Gáldar and Las Palmas de Gran Canaria.

Ali Salem Hamudi Mohamed - Yahdih, was born in 1955 in El Aaiún (Western Sahara). He completed his secondary schooling in the "Spanish" Sahara. A scholarship allowed him to enrol at the Universidad de la Peninsula in 1975, but Morocco's invasion of the Sahara led him to return to the city of his birth and go into exile with his people, participating in the resistance and helping to organise the Tindouf Refugee Camps (Algeria). In 1980, the Polisario Front and the Government of Cuba offered him the opportunity to study Architecture at the University of Havana. On his return to the Camps in 1985 he worked for the SADR's Department of Construction. He designed more than twenty public buildings, including town halls, schools and nursery schools, and also collaborated with international aid organisations to build hospitals and training colleges. All of these buildings were built collectively by the Saharan people. ;In 1999 he emigrated to Spain. His family joined him five years later.

Their desert was not the same since they last saw it. The dunes kept memories of a childhood bathed in sun and sand, when minutes passed by in a stalling time. It has been long since they moved to the city, in search of a better future. They left, switching their tents for high buildings in busy boulevards, bearing in mind their responsibility towards their society. Each step marked by the commitment to make of their training the future of their people. It is the outcry of souls deep-rooted in tradition, in culture, in the stories of their sand. The desert was not the same, it may have never been. This documental show how they left to change it.

Bilkuin, Shima and Didi are three youths living on Omadal Island, situated off the coast of Sabah in Borneo, where a majority of the population consists of the stateless Bajau Laut (Sea Gypsies). After joining and excelling in a filmmaking workshop, they are selected to be junior directors or apprentices to be mentored by a professional film crew. 'Jom Kita Ke Laut' tells the specific story of their three lives as they try to document it on their own, which eventually gives us a view of how life is on the island for the Bajau Laut and the challenges they face by being stateless in their own land and not having access to basic human rights like education and healthcare.

Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.

Benda, a young Sahrawi woman in the diaspora wonders about the future of her people's children and women. We accompany her on an emotional journey to the refugee camps to see the more human face of the conflict. The film leaves the political as a mere context to focus on the dreams and drama of a people determined in their struggle to return home.









