The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.

Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.

Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

In the middle of Western Sahara desert, where no water, no trees, no animals live but a bunch of refugees, struggling in poverty to survive the harsh habitat, the least of the problem one might face is the environmental crisis.

The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are eagerly awaiting the beginning of the film festival. The observational documentary captures the unwavering love of film in a place that the world has forgotten.

Suso is a Sahrawi child. He has put his name down for a humanitarian aid program that allows saharawi children to spend a holiday away form the refugee camp where they lives. For the first time in his life he will see the grass, the mountains, the sea ...

28-year-old Azman, a student in the film school Abidin Kaid Saleh, explains how he discovered film in the Sahrawi refugee camps, the difficulties he had explaining his choice of study to his family, and how his society views this career.