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During a theatrical performance featuring puppets glorifying war, a wounded soldier is taken backstage where he unveils the truth about war.

A veteran theatre artist who lives for his art 'enters' the world of films. Can the film industry hold on to his inimitable artistry?

Shakespeare's tragicomedy about the banality of love, pride and war performed by DJP in Trnava... Troilus and Cressida is a tragicomic play in which Shakespeare cynically portrays the fates of legendary Greek and Trojan heroes, but also the story of one destroyed love, and especially the image of a useless war. A pseudo-historical fresco that has perhaps never been more topical in the domestic socio-political context. What does a Trojan War look like in which the greatest icons of ancient Greece do not want to fight? A kidnapped Helen as a ridiculous pretext; a sulking and proud Achilles wallowing in a tent and refusing to fight; men who rely more on bickering backstage politics than on concrete deeds; pandering, revenge and, as befits a proper Shakespeare, blood and death.

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A classic comedy about long-planned courtship and the fear of getting married once and for all performed by actors from Prague's Divadlo Na Jezerce theater.

Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.

More than ten years have passed since the famous premiere of the equally famous drama Maryša by the Mrštík brothers at the Husa na provázku Theater in Brno. Vladimír Morávek's new staging provoked a number of enthusiastic responses as well as great indignation. He subsequently left for the theater in Hradec Králové to launch a great era of drama, which he crowned with a return to the scene of the crime – Brno.

On June 8, 2024, Oscar-winning French actress Marion Cotillard joined the Berlin Philharmonic Orchestra for a performance of Arthur Honegger’s oratorio Jeanne d'Arc au Bûcher (Joan of Arc at the Stake), conducted by Alan Gilbert, performed at the Berliner Philharmonie in Berlin, Germany and broadcast live on Digital Concert Hall, the online concert hall of the Berliner Philharmonie. In the oratorio, Joan of Arc looks back on her life, her visions, and her successes during a show trial in which she is sentenced to be burned at the stake.

T. Dianiška's documentary fiction from behind the scenes of the assassination of R. Heydrich, in which the real story is intertwined with comic exaggeration, pop culture references, and harsh humor. 294 Brave Men was written by Tomáš Dianiška for the Divadlo po Palmovkou theater, where he also staged it with the local ensemble. As the title of the play suggests, the protagonists of Operation Anthropoid are not the main heroes in this case. 294 Brave Men refers to the people from the domestic resistance who paid with their lives for helping the paratroopers and whose names are now borne by streets in Libeň and the surrounding Prague districts. T. Dianiška treats historical facts with respect, but at the same time quite freely, and he depicts the background of "the greatest heroic deed in our history" with the help of humor, often very dark humor.

"La Cage aux Folles" is a club which has a transvestite show, starring Zaza (whose real name Albin). It forms Renato old homosexual couple. The latter was previously a son, Laurent, who announces his future marriage with the daughter of a deputy. The meeting with the conservative politician is unavoidable ...

A theater director and a young director await an actress’s decision on a role, triggering a scathing critique of how TV’s degraded practices and commercial pressures marginalize true artistry. Through the director’s expansive monologue, inspired by Juraj Kukura’s ethos, he reflects on his life in culture, his convictions about theater, colleagues, and the survival of artistic integrity in today’s climate.