
Slowenien zwischen den Zeilen Literatur und Identität von den Alpen bis zur Adria
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A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.

Mikko Virtanen feels like a Swedish soul trapped in a Finnish body. Full of disgust for everything Finnish, he sees Sweden as heaven. Upon meeting a suicidal Swedish psychologist Mikael Anderson, he seizes an opportunity for an identity switch. Raspberry Boat Refugee is a comedy about cultural differences in the Nordic countries, their nationalism and, not least, prejudices about our neighbours. It also proves how futile it is to try to escape oneself.

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.

Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

When Dane returns from the army, Vera awaits him at the station, ready to live together with him. Yet beneath the veil of enthusiasm lies anxiety for their future. The couple sets off for the mountain village where Vera's parents live, but find life in the harsh alpine conditions too difficult. They decide to move down into the valley, where they meet a discontented couple whose marriage has been marred by an affair. Vera and Dane also encounter difficulties in their relationship, but the tragic example of the other couple helps them realize that their home lies in the place of their birth - beneath the free skies in the mountains.

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.










