One morning, in a lift at Covent Garden tube station, eight people live less than a minute of their lives together, considering how that minute might change them forever. This production of Lift was captured by Digital Theatre live at London’s Soho Theatre. With music and lyrics by Craig Adams, it was nominated for Best Original Score in the 2014 Whatsonstage Awards. It featured a host of star names, including Cynthia Erivo (Grammy and Tony Award winner), George Maguire (Olivier Award winner) and Nikki Davis-Jones. Contains strong language and adult content.

A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

While enjoying his relationship with Cleopatra, Antony neglects his Roman responsibilities, angering Octavian Caesar. Cleopatra rejoices when Antony's wife dies, but Antony's desire for political advancement leads him to marry Caesar's sister. The fragile peace that emerges is short-lived, as Antony returns to Egypt, leading to full-scale war.

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

While shooting a film in a small town, a famous actor puts his personal life and career in jeopardy by starting an intense affair with another man.

Nina, a young actress who finds herself in an emotional turmoil during her opening night, struggles with a rehearsal that challenges her limits.

An original rewriting by the Vetrano-Randini company of two one-act plays by Pirandello, ‘Sgombero’ and ‘L'uomo dal fiore in bocca’, whose threads are intertwined with surreal dialogues and lightning-fast quotes drawn from the repertoire of Totò and Vicé, fantastic and poetic characters from Franco Scaldati's theater. - Luigi Pirandello: L‘uomo dal fiore in bocca – Sgombero – Colloqui coi personaggi - Franco Scaldati: Totò e Vicé

Shadow plays flicker, birds call, and colour leaks into grey walls. In Starlings, live action collides with puppetry and poetic visuals as a teen girl transforms loss into light, reviving the fractured bond with her father through the fragile power of art.

Unable to tap into his emotions on stage, a middle-aged struggling actor is given one last chance to prove himself, and in turn, takes a class with an acting coach who promises to transform his performance.

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.