Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

One morning, in a lift at Covent Garden tube station, eight people live less than a minute of their lives together, considering how that minute might change them forever. This production of Lift was captured by Digital Theatre live at London’s Soho Theatre. With music and lyrics by Craig Adams, it was nominated for Best Original Score in the 2014 Whatsonstage Awards. It featured a host of star names, including Cynthia Erivo (Grammy and Tony Award winner), George Maguire (Olivier Award winner) and Nikki Davis-Jones. Contains strong language and adult content.

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

While enjoying his relationship with Cleopatra, Antony neglects his Roman responsibilities, angering Octavian Caesar. Cleopatra rejoices when Antony's wife dies, but Antony's desire for political advancement leads him to marry Caesar's sister. The fragile peace that emerges is short-lived, as Antony returns to Egypt, leading to full-scale war.

Unable to tap into his emotions on stage, a middle-aged struggling actor is given one last chance to prove himself, and in turn, takes a class with an acting coach who promises to transform his performance.

Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.

No description available.

In March, 2017, at a small town, six boys and girls are selected through auditions. They work hard to prepare for a play, but the play is suddenly cancelled. These young people are disappointed at the news. One girl says "let's practice." The six boys and girls want to stand on stage no matter what.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.