The year is 1893 and India is under British occupation. In a small village, the tyrannical Captain Russell has imposed an unprecedented land tax on its citizens. Outraged, Bhuvan, a rebellious farmer, rallies the villagers to publicly oppose the tax. Russell offers a novel way to settle the dispute: he challenges Bhuvan and his men to a game of cricket, a sport completely foreign to India. If Bhuvan and his men can defeat Russell's team, the tax will be repealed.

Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.

This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.

Krotoa, a feisty, bright, 11-year-old girl is removed from her close-knit Khoi tribe to serve Jan van Riebeeck, her uncle’s trading partner and the first Governor of the Cape Colony. She is brought into the first Fort established by the Dutch East India Company in 1652. There she grows into a visionary young woman who assimilates the Dutch language and culture so well that she rises to become an influential translator but ends up being rejected by her own people as she tries to bridge the gap between the two cultures about to collide.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.

Thibaut, 40, raises his 7-year-old son, Gabriel, whom he adopted in Africa, alone. Faced with the crisis his son is going through, he decides to return with him to Senegal in search of the biological mother, Yawa, whom he once knew.

A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa. While waiting to be drafted into the French Army they have time to woo. Mokrane falls for beautiful Aazi and soon marries her only to find out that she can bear no child. Menach, on his part, is stongly attracted to Davda, but the latter is already married to a rich merchant...Happiness does not seem to be in store for the two former students...

Berlin at the end of the 19th Century. Alexander Hoffmann is an ambitious PhD student of Ethnology. When a delegation of the Herero and Nama tribes travels to Berlin during a ‘Colonial Exhibition’, he takes a special interest in their young female translator Kezia Kambazembi as subject for his studies.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.