Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

This documentary examines Borges' extraordinary life and work, using dramatizations of his most memorable stories and rare interview footage with the author at his Buenos Aires home.

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The most crude and atrocious institutional violence of the Spanish State hides behind a true dark figure, an abyss into which this documentary peers through 30 firsthand accounts.

Winston Churchill understood the power of films, but the true extent of his use of cinema as a propaganda tool is rarely explored. In 1934, one of Britain's most celebrated film producers, Alexander Korda, signed Churchill up as a screenwriter and historical advisor. It was the start of a unique collaboration. Churchill provided script notes for Korda's productions and penned an epic screenplay. When war broke out, their collaboration took on national importance. Korda was sent on a mission to Hollywood to help bring America into the war, with positive results. With access to previously undiscovered documents, this film documentary examines that mission and a friendship that underpinned a unique, creative partnership.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

Eliza Dushku takes on her homeland of Albania.

White people don't understand that there are two laws - white people have different laws from Aboriginal people. TWO LAWS is a film about history, law and life in the community of Borroloola in far North Queensland. The films offers viewers a remarkable and different way of seeing and hearing. Like the film, BACKROADS, it is one of the few productions at that time in which Aboriginal people had creative input. The impetus for TWO LAWS came from the community themselves. There was substantial collaboration with the film makers before and during the shooting period. It is one of the most outstanding films to be made during the 1980s. It is an historical analysis of what, nearly forty years later, is an increasingly contemporary question. Two Laws.

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

In this documentary, Alex trusts his twin, Marcus, to tell him about his past after he loses his memory. But Marcus is hiding a dark family secret.

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.