What binds us to the images we create? If the act of capturing them belongs to us, to whom does the image belong: to what allows itself to be seen, to the one who records it, or to the one who first imagined it? Between thought and the world, perhaps the image belongs to no one or passes through everyone.

Collective experimental film by Team 8mm TENGOKU.

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

Known for his striking visuals and outlandish subject matter, maverick director Sogo Ishii is considered to be the master of Japanese punk cinema. In ‘Attack!’, biker gangs meet the Japanese punk scene. Continuation of the filming of "High School Panic" after a stoppage by the production company. Awarded at the 1978 Pia FIlm Festival.

Heartbroken, Madeline goes out on the town ruminating on the cyclical nature of love. She passes from one thrill to another looking for answers. Relationships come and go but memories are forever.

Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.

Director Noboru Iguchi's first 8mm film, which he shot as a high school student.

Ito, Yoshida, Kanbara, and Harumi are high school classmates. Ito secretly has feelings for his best friend, Yoshida. Yoshida doesn't seem confused by Ito's feelings, but simply accepts them naturally. However, one night.

Javier discovers an old camera in his home's garage along with some undeveloped 8mm film reels that hide a hidden past his mother does not want to remember.

Directorial debut by Klaus Hofmann and Bernd Siebert, shot on 8mm.