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Lourdes Ferriol
Lourdes Ferriol
Narradora / Margalida Comas
Lourdes Ferriol
Narradora / Margalida Comas
Miguel Àngel Torrens
Miguel Àngel Torrens
Guillem Bestard
Miguel Àngel Torrens
Guillem Bestard
Antonia Ferriol
Antonia Ferriol
Mercedes Rico
Antonia Ferriol
Mercedes Rico
Rosa Ferriol
Rosa Ferriol
Elsa Seeger
Rosa Ferriol
Elsa Seeger
Joan Sastre
Joan Sastre
Guillem Cifre de Colonya
Joan Sastre
Guillem Cifre de Colonya
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The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

While exploring the Baltic Sea in 2006, a Polish oil firm stumbled upon the remains of Germany’s first – and last – aircraft carrier at 80 meters depth off the coast near Gdansk. It was a discovery that solved an enduring maritime mystery that had baffled experts for over half a century. The Graf Zeppelin has finally been found! This film tells the incredible story of the lead ship of the German "Kriegsmarine", from its construction to its sinking and its amazing discovery over five decades later. The Graf Zeppelin was a war ship of massive proportions that was never used for its intended purpose and eventually fell into the hands of the Russians, who used it for target practice off the coast of Poland. The program features rare access to private Graf Zeppelin archives, state-of-the-art animation, dramatic reconstructions and a high-tech underwater shoot at the mysterious site of the sunken wreck.

Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.















