A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

Filmmaker Jon Alpert turns the camera on his own family in this intimate portrait of his aging father. As illness and declining vitality reshape his life, the film captures a deeply personal struggle with dignity, humor, and the bonds that hold a family together.

Switzerland is the only country in the world that allows foreigners to come and die on its territory. Since its founding in 1998, more than a thousand people have traveled to Zurich to end their lives with the help of the organization Dignitas. "Dignitas - Death on Prescription" is a documentary about an organization that provides people with terminal and incurable illnesses, intense unrelenting pain, and depression with a peaceful death. The organization's founder, lawyer Ludwig Minelli, is often the target of insults, especially from politicians, despite the fact that most Swiss citizens support the option of medically assisted suicide.

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Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed

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Janneke has been working as a volunteer in palliative terminal care for over twenty years, both in the hospice and in people's homes. In The Night Watchman we see Janneke both in her daily life and while waking. Scenes in which surprising parallels and paradoxes show Janneke's position in her life and how they seem to embrace death at first sight.

Memento Mori is a morbidly beautiful journey into the world of alternative post mortem arrangements and an illuminating meditation on death, dying and our relationship with our bodies once they are no longer ours.

When touched by death, will you feel more alive?

A SHOT IN THE FOOT depects hectic nocturnal routines of a young woman who works as an assassin. She is a quick and innovative killer, efficient at her job. But she grows careless as she parties hard and gives in to the thrill of money, exposing herself to the dangers of LA’s underground. She gets sloppy, but the jobs keep coming, and there is no one except herself to clean up the mess she leaves behind.