A posthumous 1992 reconstruction of Orson Welles’s long-unfinished Don Quixote project, edited by Jesús Franco from footage shot between 1957 and 1972, following Don Quixote and Sancho Panza as they wander modern Spain in pursuit of chivalric ideals. (Note: This version represents a later editorial assembly, not a film completed by Welles.)

Wounded at the Battle of Lepanto and recoverying in a Messina hospital, Miguel de Cervantes experiences a vision amidst fever and hallucinations. From the flames of burning books, Don Alonso Quijano is born—a man driven mad by tales of chivalry who transforms into the knight-errant Don Quixote. Accompanied by the simple Sancho Panza, lured by the promise of an island to rule, Quixote embarks on a quest where inns become castles and windmills turn into giants. Despite the cruel mockery of bored nobles and a series of crushing defeats, his madness reveals a disarming purity: he fights solely for justice and freedom, even as the world laughs. Betrayed and humiliated, he is eventually brought home in a cage, unable to survive without his ideals. As he dies, the scene shifts back to the Sicilian night: from the pain of war, Cervantes has forged a masterpiece—the stubborn dream of a more liberated humanity.

Miniseries version of the first half of Cervantes' famous novel.

The story of Dulcinea, the love of Don Quixote, who was only a normal girl named Aldonza that is suddenly involved by the legend of the brave and ingenous gentleman.

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

Inflamed by his readings of chivalric novels, Don Quixote, a knight with a sad face, accompanied by Sancho Panza, a peasant steeped in common sense, decides to set off across the world in search of improbable adventures.

The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.

After an old soldier named Miguel de Cervantes (1547-1616) wrote the adventures of Don Quixote and Sancho Panza, the knight and his squire have become very popular. When he learns that the Turkish comes along the Mediterranean coast with a powerful army, Don Quixote will undertake, again opposed by his niece and his housekeeper, a new adventure that begins in La Mancha and ends on the coast.

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LENIN’S PAWN is a hybrid documentary with dark humor following actor Sergiu Voloc, a modern-day Don Quixote whose lonely fight against Lenin monuments across Moldova turns into an absurd confrontation with a system that rebuilds them overnight.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.