An in-depth look at the early 2011 crisis for public sector unions in Wisconsin, and why it matters in Alberta.

During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.

People show incredible courage and cowardice in the aftermath of the Seton Hall Fire in New Jersey.

La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.

"Clio Capers" is a short film about the Clio Club, the Latin club James Blue belonged to at Jefferson High School in Portland, Oregon. The film features "Jupiter" and his fellow immortals atop Mt. Olympus looking back through the "Clio scrapbook," actual home movie footage James Blue shot of club activities between 1946-1948. Originally shot on 8mm film. No sound.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?

Documentary about an eclectic group of students from all corners of the planet at one of the world's top industrial design schools in Sweden's faraway north just below the Arctic Circle. The film explores everyday life and dynamic design processes at Umeå Institute of Design during the school's 25th anniversary when traditionally generous and export-driven Sweden has decided to impose steep tuition fees for non-Europeans, the very students instrumental in making the school what it is today.

AN ARTIST RESPONDS TO WAR is a vibrant portrait of Peter Schumann, the visionary founder of the Bread & Puppet Theater, whose six decades of radical political performance have been forged from a single, searing childhood question: how do we as humans respond to the madness of war and violence?

The documentary features the British miners and their family experiences told through songs, poems, pictures and words.

Direct cinema pioneer Frederick Wiseman takes an in-depth look at the preeminent American university during a fall semester that saw a vigorous debate taking place over tuition hikes, budget cuts, and the future of higher education in the United States.

Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.