About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

A group of CNN reporters venture to the Iraqi capital to cover the Gulf War.

From the director of “Made In America” and “The Money Pit” comes a hilarious look at one of the most expensive blunders in military history. Over 17 years and almost as many billion dollars have gone into devising the BFV (Bradley Fighting Vehicle). There's only one problem. . . it doesn't work. (Spoiler alert: 25 years later ... it does work.)

In honour of the 15th Anniversary of 9/11, National Geographic Channel is looking back at the very best reporting we have done since this world-changing tragedy first happened using extended excerpts from past specials that relate directly to events leading up to and following the attacks on New York City and Washington DC.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.

Explore the history of the world's most famous battleship, the USS Missouri, with this revealing documentary that chronicles the ship's distinguished career that spanned more than 50 years of service. Narrated by decorated Navy officer Wes Carey, this portrait combines archival film footage, photographs and personal accounts to paint a vivid picture of the celebrated ship, affectionately known as "Mighty Mo."

An examination of the aftermath of Desert Storm and how servicemen and women were affected by it medically.

When BA Flight 149 unwittingly landed in a warzone, its passengers and crew were taken hostage. Did the UK government allow it? And who were the mercenaries on board?

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

Shortly after the Gulf War, oil fires were raging all through Kuwait. In the week before this sea of fire would be extinguished, Werner Herzog filmed this apocalyptic landscape with its murky skies, scorched earth and capricious flames.

Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)