Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A group of CNN reporters venture to the Iraqi capital to cover the Gulf War.

Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.

A US Army officer, who made a "friendly fire" mistake that was covered up, has been reassigned to a desk job. He is tasked to investigate a female chopper commander's worthiness to be awarded the Medal of Honor. At first all seems in order. But then he begins to notice inconsistencies between the testimonies of the witnesses...

From the director of “Made In America” and “The Money Pit” comes a hilarious look at one of the most expensive blunders in military history. Over 17 years and almost as many billion dollars have gone into devising the BFV (Bradley Fighting Vehicle). There's only one problem. . . it doesn't work. (Spoiler alert: 25 years later ... it does work.)

In honour of the 15th Anniversary of 9/11, National Geographic Channel is looking back at the very best reporting we have done since this world-changing tragedy first happened using extended excerpts from past specials that relate directly to events leading up to and following the attacks on New York City and Washington DC.

The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.

General H. Norman Schwarzkopf: Command Performance shows historic archive photographs and coverage of “Stormin’ Norman’s” role from the inception of Desert Shield to the onslaught of Desert Storm.

Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)

In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its combat services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling Navy SEAL training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.

About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”