Eight Pan-Asian female filmmakers’ powerful anthology film illuminates the immigrant experience in Aotearoa New Zealand through the lives of eight Asian women connected by the house they call home.

The story follows Maria – a teenager whose mother used to be a hoarder. Now (set in the 90s) she lives in a foster home where a previous resident, Michael, inspires her to revisit the childhood memories and passions that she has repressed.

A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?

Wealthy socialite Charlotte Cartwright and her dear friend Alice Pratt, a working class woman of high ideals, have enjoyed a lasting friendship throughout several decades. Recently, their lives have become mired in turmoil as their adult children’s extramarital affairs, unethical business practices, and a dark secret threaten to derail family fortunes and unravel the lives of all involved. Charlotte and Alice decide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin.

When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…

In this coming-of-age story, a once-close mother-daughter relationship takes a tumultuous turn as they navigate the challenging journey of growing up. As the daughter blossoms into her own person, clashes between the two ignite like never before, creating an explosive dynamic that forces both to confront their own vulnerabilities and ultimately find a new understanding of each other.

Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.

Renowned film star Joan Crawford's abuse towards Christina, her adopted daughter, intensifies as her professional and romantic relationships turn sour.

Tiësto in Concert is a performance of Tiësto's concert on May 10, 2003, at the Gelredome in Arnhem, Gelderland, Netherlands, when he performed before an audience of over 25,000 people. The concert was divided into parties with live performances by groups, bands and artists representing a country, which in turn represented a continent. It begins with a presentation by Tiësto followed by a live performance by Andain who presents to Britain and Europe. Then, a group of carnival Sanba presents to Brazil and South America. The singer's live performance and band Dinand Woesthoff presents "The Star-Spangled Banner" to the United States. The Chinese group Orange Studio performs the theme "Tiësto in Concert Asia", presented to countries there. After a live performance by singer Jan Johnston, Omar Ka & Fula Band presents to Africa, and finally, the live performance of Jerry de Jonge & Beijerink presents to Australia and Oceania. A Bluray version with the Director's Cut was released in 2012.

A sideshow can be a magical place. For those who live and work there, it can be a safe haven. For Cleo, her role in the family-run exhibit is clear: as the 88th generation of proud, bearded women, she follows their legacy of sword-swallowing, and her overbearing mother, Lady Andre, wants Cleo to be an obedient daughter and stick with tradition. But outside the show tents of Paradise County is a big world, and when Cleo’s fresh ideas for their sword show aren’t embraced, and she clashes with her mother, she gets the itch to leave her talented fringe family to find love and perhaps a new normal that doesn’t include facial hair.

A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.