When Danish Film Crosses the Line
Documentary
Overview
Sex, animal cruelty, Jesus and politics! Movies evoke emotions - some more than others. In this documentary, Maria Månson explores the Danish films that have outraged, angered, provoked... and have put Denmark on the cinematic map. This is a celebration of those who dared to step across the accepted border between good and bad.
Maria Månson
Maria Månson
Vært
Maria Månson
Vært
Isak Thorsen
Isak Thorsen
Sig selv
Isak Thorsen
Sig selv
Peter Schepelern
Peter Schepelern
Sig selv
Peter Schepelern
Sig selv
Mette Kramer
Mette Kramer
Sig selv
Mette Kramer
Sig selv
Andreas Halskov
Andreas Halskov
Sig selv
Andreas Halskov
Sig selv
Anders Thomas Jensen
Anders Thomas Jensen
Sig selv
Anders Thomas Jensen
Sig selv
Karina de Freitas Olesen
Karina de Freitas Olesen
Sig selv
Karina de Freitas Olesen
Sig selv
Søren Birkvad
Søren Birkvad
Sig selv
Søren Birkvad
Sig selv
Sabrina Vitting-Seerup
Sabrina Vitting-Seerup
Sig selv
Sabrina Vitting-Seerup
Sig selv
Sune Lind Thomsen
Sune Lind Thomsen
Sig selv
Sune Lind Thomsen
Sig selv
Similar Movies
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.