The latest addition to Eagle's critically acclaimed and highly successful Classic Albums series is Tom Petty & The Heartbreakers 1979 breakthrough album Damn The Torpedoes . The band s third album defined their musical style and took them into the mainstream hitting No.2 on the US charts and spawning the top 10 single Don t Do Me Like That . The DVD features newly filmed contributions from the band members Tom Petty, Mike Campbell, Benmont Tench, Ron Blair and Stan Lynch along with co-producer Jimmy Iovine and engineer Shelly Yakus as they analyse the tracks from the original multi-track tapes and through new and archive performances. Damn The Torpedoes has stood the test of time as one of the great American rock albums of its era and is a worthy addition to the Classic Albums series.

The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

The lonely husband of a famous female comedian strikes up an unlikely friendship with the neighborhood's sad-sack mailman, ultimately forming a successful, albeit unusual, musical collaboration that blends the line between fantasy and reality.

Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.

"Acoustica" is a 2001 unplugged album by German hard rock band Scorpions. It was recorded during three concerts at the Convento do Beato in Lisbon, Portugal, in February 2001. It was a most unusual set for the band, as Klaus Meine comments on the DVD. The band was supported by backing vocalists, a percussionist, an extra guitarist and Christian Kolonovits (who had worked with the band as conductor and arranger on the Moment of Glory album) on keyboards. He also collaborated on rearranging the songs for the acoustic set. The band performed four new songs: "Life Is Too Short", "Back To You", "I Wanted To Cry" and "When Love Kills Love", which was released as single. All the new songs were featured on the DVD, while "Back To You" was not included on the CD. Acoustica also contains cover versions of songs such as The Cars' "Drive", Kansas' "Dust In The Wind" and the Queen hit "Love Of My Life".

Elara, a young violinist, is madly in love with Lucio, a Sicilian student. Their love blossoms, but suddenly Lucio must return to Italy to care for his sick niece. Elara struggles with loneliness and sadness, until she finds new inspiration in a dream.

At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.

A report on the work of a reservist collective from a factory of the Guben chemical fiber combine.

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This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.