A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

Howard Finster, the grandfather of the Southern Folk Art movement was a pioneer that showed the world that Art can thrive outside of museums and galleries in ordinary places and in everyday objects. He took what others might deem trash or obsolete and turned it into something contemplative. He opened Paradise Garden for the world to enjoy, a true testament that Art comes to life, when people are able to interact with it. Howard Finster showed the world that objects surrounding us can take on a new life, in a sometimes-magical way, and communicate messages that can lead to transformation.

The Forest Drum follows a monster looking to make friends with the other animals that live in the forest with him. While the animals are scared of him, the monster finds a drum that he plans to use to bridge the gap between him and the others.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

Filmed 2 years before his death, this documentary portrays New Brunswick folk artist Joseph Sleep (1913-1978) in his later life. He was born at sea and worked with and around boats, fish, carnivals, and animals most of his life. While convalescing during an extended period in the Halifax infirmary in 1973, he was encouraged to paint. What began is therapy and a pastime developed into a way of representing a lifetime of images and experience

Les Blank brings us the life and work of self-taught, visual artist Butch Anthony, who hails from the small town of Seale in Southeastern Alabama. Butch is a rare individual with a unique ability to see the potential in objects that others take for granted. He is considered one of the top naïve artists in Alabama, and, as his artwork is shown in museums around the country, he is becoming a national treasure. Blank’s camera follows Butch to various folk art festivals around the South, visiting the friends and artists who inspired him to create art. Blank also observes Butch’s life in Alabama’s rural landscape. From ‘coon hunting to “calling up” alligators and digging up fossils, Butch Anthony shows us a South not known to many outsiders.

This documentary examines the life and art of Lonnie Holley, a self-taught African-American artist based in Birmingham, Alabama. It follows Holley as he builds a sculptural environment out of discarded materials and found objects in the Birmingham Museum of Art’s sculpture garden. His art is by turns profound, playful, and deeply moving. As the garden grows piece by piece, Holley is revealed as a man who has overcome a tortured past. Growing up poor and black in the 20th century American South, Holley worked to overcome prejudice and deprivation by using art to explore his life and ideas. The camera captures the artist’s process and reflections as he gathers materials, creates pieces, interacts with others, and relives the joys and sorrows that forged his unique and genuine artwork.

A portrait of Leonard Knight and his visionary monument, Salvation Mountain. Painted with 18 coats of donated latex paint, Salvation Mountain, was created over many years, and shows how one man's determination and faith can make for quite a majestic achievement.

Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.