This film contains three short stories about life in Australia in the 1950's.

Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.

Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.

Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel countess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil.

A short story film in which the first story takes place at the end of the German occupation, when a resistance fighter is arrested while transporting leaflets. The second story takes place in the 1950s at a cattle shed. The final episode tells the story of a doctor terrorized by fleeing criminals.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Compilation of four short films, "Must Be the Music", "Nunzio's Second Cousin", "Alkali, Iowa", and "The Dadshuttle", of gay interest.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

Each of the four short stories, framed by the figure of the photographer, depicts the lives of women and girls whose work has brought them to the limelight, but also marked their relationships with those closest to them.

Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

Seven mini-stories of adultery: a widow misbehaves at her husband's funeral, a wife turns to streetwalking for revenge, a prudish girl surprises, a neglected wife vies for her husband's attention, a fight over a dress, a death pact, and a detective revealed as a jealous husband's spy.