
State of Exception
Documentary · History
Overview
Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.
Top Cast


João Viegas
João Viegas
himself
João Viegas
himself
Feliciano David
Feliciano David
himself
Feliciano David
himself


Leandro Vale
Leandro Vale
himself
Leandro Vale
himself
António Lobo Fernandes
António Lobo Fernandes
himself
António Lobo Fernandes
himself


Helder Costa
Helder Costa
himself
Helder Costa
himself
Eliana Gersão
Eliana Gersão
herself
Eliana Gersão
herself
Emílio Rui Vilar
Emílio Rui Vilar
himself
Emílio Rui Vilar
himself
Manuel Valente
Manuel Valente
himself
Manuel Valente
himself
Helena Seabra
Helena Seabra
herself
Helena Seabra
herself
António Lopes Dias
António Lopes Dias
himself
António Lopes Dias
himself
Similar Movies

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

Journalist Laurence Haïm, a 25-year U.S. correspondent, explores the complexities of this powerful nation. Following the presidential race between Kamala Harris and Donald Trump, she documents Trump’s campaign, the devotion of his supporters, and his appeal to the most religious and conservative wing of the American right.
Located on the shores of the Baltic Sea, between Poland and Lithuania, Kaliningrad is a piece of Russia in the heart of Europe. A curious territory, isolated from Moscow after the fall of the USSR, today transformed into a military fortress facing NATO. In Kaliningrad, headquarters of the Russian Baltic fleet, there are 30,000 soldiers, hypersonic missiles and nuclear capability.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.















