Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Kim Dae Jung, who stands next to people in the middle of caotic history! A young businessman Kim Dae Jung recognized the victims of ideology. He decided to be a politician to make his country where people's politic and democracy are rooted. The price of being leave from a guaranteed future and take the first step on a bumby road was kidnapping, death threats, imprisonment, and a death sentence that shook him to the core, but even in his final moments, when he was sentenced to death, Kim never wavered. "Democracy will be recovered. I believe in it." The life of President Kim Dae-jung, a death row inmate who survived from the throes of death, four parliamentary elections, and three unsuccessful presidential campaigns, is etched into the modern history of South Korea.

This documentary celebrates the life of former President Kim Dae-joong, who fought for democracy in South Korea and peace in the Korean Peninsula. It marks the 10th anniversary of his passing and covers his challenging journey, from his childhood on an island to his imprisonment, exile, near-death experiences, and ultimately becoming the president.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

In May of 1980, the city is locked down and phone lines are dead because of protests and struggles in demand of democracy. Just when Gwangju was being ignored by the media, Jurgen Hinzpeter, a reporter from Germany, sneaks in despite the danger!

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.

No description available.

No description available.

The Chun Doo-hwan regime seized power in a coup d'etat, massacred peaceful protesters. People from all walks of life have been fighting the military dictatorship in their own way. And the story of reporter Lee Sang-ho, who has been covering for over 30 years, begins.

No description available.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.