Everything changes the day Sofia decides to take on her relationship with Paloma. Behind the supposed acceptance of her parents hides a plan to redirect their daughter to heterosexuality. And behind the apparent facade of tenderness and understanding in the couple hides a situation of maltreatment and instability that will take them to the limit.

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

The world is shared among two territories, two states of the being of opposite condition, get strained, are in crisis, to form, to shape what already exists. There’s a wall and there’s always someone who will go and look for what shit is on the other side and maybe on the other side you don’t find what expected. “La Brecha” is a movie that questions the whole concept of artwork while exposing the mechanisms of self-censorship and self-control of the creators at the time of producing their works.

Hyohakusha is a lyrical trip to Japan, passing through Galicia (magic land in the northwest of Spain). Two women filmmakers recover twenty forgotten rolls of Super8 that showed the journey of two Galicians to different places of Japan in 1973, and with this material, and the reflections and emotions of his owner watching the rolls for the first time (the son of the travelers) with her wife, that is Japanish and could not know her father in law that died soon after that trip, these two filmmakers give birth to a new story seeking suggestive relations between the two countries (half of the film is filmed by them in Galicia, also in Super8). This filmmakers during the process of making this film are reading a book of haikus of Basho, that wrote in his lyrical diary "Oku no Oshomichi" about the beauty of some of the places where this Galician couple went to visit in their trip to Japan many centuries later. So some passages of this travelogue are included too.

An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.

The story of Kaspar Hauser, who grew up in dark isolation from humanity, it is provided by a Gallician artist with a radical experimental adaptation that aims to be nothing less than a religious message. Black & white 16mm, without the language of reason, eye to eye with the primaeval puzzle. The story of Kaspar Hauser, the German 'wild child' who grew up for 16 years in silence and virtually in the dark in a stable with only a wooden horse as company, remains fascinating, also for filmmakers.

Galician sailors working on a ferry between the Danish city of Romo and the German island of Sylt. One buys a camcorder and start recording their daily lives and that of their peers in countless voyages.

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?

Peter Weiss' The Aesthetics of Resistance meets a General Strike in Barcelona on September 2010. That night's discussions will be put into question by five anonymous friends who are no longer adolescents nor communist militants and yet also try to oppose the state of things, as did the protagonists of Weiss's novel.

No description available.