
MK Ultra
Music · Documentary · History
Overview
The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.
Top Cast
Shanelle Clemenson
Shanelle Clemenson
Shanelle Clemenson
Harriet Ellis
Harriet Ellis
Harriet Ellis
Shelley Eva Haden
Shelley Eva Haden
Shelley Eva Haden
Lizzie Klotz
Lizzie Klotz
Lizzie Klotz
Joao Maio
Joao Maio
Joao Maio
Ryan Munroe
Ryan Munroe
Ryan Munroe
Oliver Russell
Oliver Russell
Oliver Russell


Adam Curtis
Adam Curtis
Narrator
Adam Curtis
Narrator
Similar Movies

As the 2024 elections approach, Russian interference in American politics – through spies or agents of influence – is a troubling reality. Vladimir Putin is counting on Donald Trump’s victory to weaken support for Ukraine. Why does Trump almost always support Russia? Is he compromised? During his presidency, did he betray the United States in favor of the Kremlin? And why has the Republican Party shifted its stance toward Russia? Answering these questions means shedding light on a labyrinthine espionage and manipulation operation. Still ongoing, it began forty years ago, during the final years of the Cold War. Back then, Trump was merely a real estate developer, and Putin was a young KGB agent. This operation contains many dark areas, but some hold pieces of the puzzle. A former KGB leader, infiltrated “illegals,” a former Trump advisor, and former senior officials from the CIA and FBI, as well as a former prosecutor, provide testimony. . . . [taken from Nilaya Productions]

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
This program examines Cuban exile terrorists living in Miami. These terrorists were secretly trained and employed by the U.S. government in the early 1960s to fight Fidel Castro. Now, without U.S. support, terrorist activities continue in Miami and Latin America. The program reviews secret U.S. policies toward Cuba in the 1960s and includes interviews with Castro and former top CIA officials. Members of this group, formerly secretly trained and employed by U.S. Government until 1967, have been active in Watergate crimes and anti-Castro terrorism including bomb explosion on Cuban Airline killing seventy-three. Includes interviews with Castro, E. Howard Hunt, Bernard Barker, and Rolando Martinez.' - The Paley Center For Media

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

This documentary talks to women training with machine guns, to undergraduates taking courses in How to Stay Alive, to retired generals who run schools for mercenary killers, and to self-appointed clergy who say their native America has "gone soft on the Devil and the Reds" and has become a "Disneyland for Dummies".

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.













