As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.

Hit the road with Creative Differences and go behind the scenes of their first tour.

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Disobedients, rebels, misunderstoods or simply unpopulars. As many other french women, Édith, Michèle, Éveline and Fabianne had been put in a juvenile detention center during their teenage years. Nowadays, with an incredible strength, each of them relate their story, and unveil the deeply moving fate lived by these « bad girls » until the late 70's.

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

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A documentary that explores the challenges that a life in music can bring.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.