
Geislemacher
History · Documentary
No cast information.
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At the forests of Östergötland, where land meets sea, rests the old castle Herrborum. Here lives count Magnus Stenbock, 92, according to his own ideas about what is appropriate and what is not. Film-maker Helena Nygren is fascinated by the count and the castle, and is allowed to film on the condition that she takes the role of companion lady. Over one year, Helena returns several times to take part of count Magnus Stenbock and his servants life on castle Herrborum in Östergötland. Time stands still on the castle, and in the movie Helena wants to preserve the fairy tale feeling she gets when she steps into these ancient surroundings. The count is a strong personality with strong opinions and a great interest in history. All kinds of people come to his castle to savor the special atmosphere and follow the old fashioned rules of etiquette. Helena transforms from an observer to a lady who participates in the social games on the estate, where everything moves around its own time axis.

The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.
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The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
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Batbileg lives in a ger district of Ulaanbaatar with his wife and two children, making a living by training falcons for hunting and showing them to tourists. Every year, at the beginning of summer, he captures and trains the hawks, and at the start of winter, he releases them back into the wild. One of his recurring endeavors begins with training a hawk named “Andgai.”(Oath). However, laws and regulations on bird training are lacking, and the densely populated urban environment, crowded with people and buildings, is far from suitable. Batbileg aims to revive Mongolia’s ancient falconry culture, raise public awareness of the value of falcons, and pass on conservation ideals to the younger generation. Yet, in the face of the many challenges before him, he is forced to confront a dilemma: should he comply with the law, or remain faithful to his ancestral tradition?

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