The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

The story of five lesbian and gay seniors in the Northwest Florida region as they navigate coming out, identity, politics, and the challenges and victories inherent in the gay experience. The film weaves together interviews with fictionalized interludes of magical realism that capture their feelings and experiences.

When Will Ferrell's good friend Harper comes out as a trans woman, they take a road trip to bond and reintroduce Harper to the country as her true self.

Over the course of 10 months, a camera travels to Buenos Aires, Argentina and Hanover, Germany to meet with Magalí, María Belén, Ivana and Carla, the founding members of the Archivo De La Memoria Trans Argentina, the first existing Trans Archive in the world. Taking the shape of a photo-novel, the documentary not only recounts the founding members lives as trans women under the Argentine dictatorship (1976-1983), the AIDS epidemy, state repression and mass assassinations but also years of fighting for their rights, sorority and the exaltation of life and laughter in times of death. Filming each one of them is filming them embracing their new role as curators, archivists and historians while a collection of 7,000 photos goes through the filter of their memories.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.

After her gender identity was denied in her homeland, Lee Li, a transgender asylum seeker, was forced to leave her country, family, and language to embark on a journey toward belonging, freedom, and self-empowerment.

In this poignant film, the story unfolds through a heartfelt letter from a mother to her son, Jacob, reflecting on the loss of his other mother. Through flashbacks and the sharing of memories, we witness the love story between Adrianna, a dedicated OSI agent, and her wife, Heather, as they navigate the challenges of military life under the "Don't Ask, Don't Tell" policy. Despite the constant fear of exposure, their bond grows stronger. Adrianna's eventual deployment to Afghanistan, where she serves with valor, ends tragically, leaving her family to grapple with the devastating news. The narrative captures the enduring love and strength that Adrianna instilled in her family, her commitment to her duty, and the bittersweet reality of their shared dreams cut short. The film closes with a reflection on the end of America's military involvement in Afghanistan, juxtaposing personal loss with historical milestones, and a message of gratitude and resilience for the future.

Katoey meets three people in rural Thailand who are clearly and confidently women even though their bodies are male. Integrated to an impressive degree into society, these women have successfully overcome the difference between their physical and mental genders.