Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Tucker and Hamid are going to be grandfathers for the first time, but only if they can come together long enough to save their first-born grandchild.

The story is about a doll named Amo Pumble who teaches children how to live in society by reading a magic book to children.

A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...

The peaceful life of the members of the Rabbani family undergoes changes with the unexpected arrival of a snake, the discovery of an exquisite manuscript and a mysterious hole.

Professor Gerasim and assistant Tugomir are in a ski-resort where opportunity for cheating and love is around every corner.

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Somewhere in the Balkans, 1995. A team of aid workers must solve an apparently simple problem in an almost completely pacified territory that has been devastated by a cruel war, but some of the local inhabitants, the retreating combatants, the UN forces, many cows and an absurd bureaucracy will not cease to put obstacles in their way.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

It's a satirical comedy that chronicles 3 young Canadian film makers from Yellowknife as they travel from northern Canada to the middle east just as the Iraq war is erupting. As well as being very funny, it is also quite thought provoking. The trio travels through Canada, Turkey, Israel, Jordan and finally Washington DC interviewing "regular people" for their comments on the impending war. This film won best documentary at the 2003 Whistler Film Festival in Canada.