
Emma
Documentary
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Emma
Emma
Emma
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In this powerful new film based on his bestselling book, sociologist Michael Kimmel maps the troubling social world where boys become men -- a new stage of development he calls "Guyland." Arguing that the traditional adult signposts and cultural signals that once helped boys navigate their way to manhood are no longer clear, Kimmel provides an astonishing glimpse into a world where more and more young men are trying desperately to prove their masculinity to other young men -- with frequently disastrous consequences for young women and other young men. Guyland offers a way for all of us -- parents, young men and women, community members, and professors and administrators -- to envision new ways to support young men as they navigate this often perilous world.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Kafia, a young girl on the brink of adulthood, has to leave behind a lot of what defined her Somalian life as she tries to adapt to her new existence in Hungary. As the family’s cultural values and taboos start to fall apart, Kafia tries to explain and make sense of all these changes to her mother left behind.

On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.

Three groups of adolescent girl friends from Quebec are going through tough changes. The process of inventing their own bodies and identity are being recorded on the move by their smartphones and shared with their peers from other parts of the networked world. Due to their strong need of external confirmation, they alter their lives into a series of retouched pictures and videos. The film camera, however, captures their feelings of void, loneliness and deep inner insecurities that are not so attractive for Periscope, TikTok or Instagram. An intimate portrait of adolescence is made with full comprehension of experiencing and self-presentation in a generation growing up on the brink of the real and virtual worlds.

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.










