A documentary about Basque inmigrants who went to USA looking for work and a better future. Basically, Amerikanuak talks about feeling homesick, about struggling in a different country to make a decent living and about being part of a comunity.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Natives of the New World is a short documentary film shot on cell phones by the Kino Mosaik collective, which was founded in Lesbos Island, Greece, in 2018. The migrants who were members of the collective tried to transform the period when they were stuck in Lesbos waiting for the decision on their asylum applications into a constitutive process. Kino Mosaik’s main goal was to oppose the passive, apolitical, and victimized migrant image created by mainstream media and many artistic representations.

The Cossack and the Gypsy takes us to the heart of intimate worlds of Lev Chayka and Régine Gabrysz, illustrating their memories, interior views composed of the stories about their childhood and devotion to their country of origin (Ukraine and Soviet Union). The wars and dictatorship of the past in the Eastern Europe is set in contrast with the Far North of Quebec in a forgotten boom town. Vera and Jack, the last miner, Régine and Lev are among the last first immigrants. Their Slavic voices and accents still lull the Abitibi sonorous landscapes, but for how long...

Twenty-five films from twenty-five European countries by twenty-five European directors.

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

A documentary about a night café called Walkers, its workers and the youth – largely immigrants – populating the café during the night.

In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.

What does it mean to be British? Gabriel, a dentist originally from Hong Kong, has lived in Milton Keynes for nearly 50 years. His mixed race son Michael couldn't wait to leave. Now a film-maker, he returns to the city to discover how his father feels about the place he has made home.

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.