
Yellow Ribbon
Documentary
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Moon Jong-taek
Moon Jong-taek
Self
Moon Jong-taek
Self
Park Hye-young
Park Hye-young
Self
Park Hye-young
Self
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In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

After recovering from leukemia, Jang Juhee, who once dreamed of becoming a filmmaker, begins working at a center for independent living for people with disabilities. There, she meets documentary director Bu Seongpil, disabled and bedridden Seon Cheol-gyu, and In-sook, who lost a family member in the Sewol ferry tragedy. Shaped by childhood memories of domestic violence and years of illness-induced isolation, Jang’s gaze and inner world begin to expand through these individuals.

The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.

During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.















